the death of Van Gogh.

I recently finished reading a collection of Van Gogh's letters to his friends & family (mostly to his generous brother & patron Theo). My main purpose was to see if there were any obvious suicidal thoughts toward the end of his life and correspondence. And I really didn't see it. He made a reference to conditional suicide in an April 1889 letter.. saying if he lost his friendship with Theo, it could drive him to suicide. But it feels to me, more like a melodramatic what if.. What I found much more in his letters, was in spite of his mental health suffering, he was an optimistic creator.

On the day of his 1890 shooting, he had taken his art supplies out with him to paint.. which seems like an act inconsistent with a suicide mission? He came back from his painting field trip with a shot in his lower chest/stomach (also strange for a suicide I assume).. there were no powder burns reported on his hands, and no gun found at the time. But it is clear that Van Gogh claims he did shoot himself.. which established the narrative of his so-called suicide.

Why the Hell would someone take credit for a suicide, that was actually a murder or manslaughter? A pair of authors (Naifeh & Smith) have a well-thought-out explanation in their book Van Gogh:The Life. They report on a group of young (gun toting) kids who liked playing cowboys, and bothering Van Gogh. They lay out a scenario where the kids may have been messing with Van Gogh, and accidentally shot him. Van Gogh didn't want the kids punished, so claimed it was a suicide attempt.. either assuming he'd survive the shot, or not caring if he survived at that point. The scenario is at the very end of their book, & makes sense, but I'm not sure I endorse the authors' act of naming the (long gone) kid by name, since he never had the benefit of a courtroom defense, etc.

I saw in 2020 a forensic pathologist wrote an article calling for an autopsy on Van Gogh.. I guess for some clarification on his death. Not sure how much it matters now, but personally I don't think Van Gogh was attempting suicide that day. Even in his final letter, days before the shooting, he was still planning and talking about his painting. Who knows..

contact- nat.rain@gmail.com

 

New 104 page softcover anthology (with throwback sticker). Collected pages from issues of Nat Rrain, and other assorted Nat Rrain projects & publications.

If you're interested in gettin' one, send me an e-mail for easy ordering details.

nat.rain@gmail.com

 

A tribute illustration to an old Turbografx-16 title..

A preview for interested parties, one of the Nat Rrain pages from Flip City magazine (issue #20). Have more pages coming in upcoming issues. If you enjoy cultural satire, subscribe, or pick up individual issues..

contact: nat.rain@gmail.com

 

Got around to creating some profiles for Greyskull & his band mates.. based on a old sketch..

^ this is the original sketch, with Greyskull, and his then nameless crew. They've been on a nostalgic tour, permanently & blissfully frozen in the late '90s.

If you get a chance, check out Flip City Magazine, I just had a couple pages in issue #20..

Flip City (About Us)

contact- nat.rain@gmail.com

 

For interested parties, Flip City (issue #20) published some Nat Rrain art recently. They sell both digital and print subscriptions (link enclosed). It's a publication stylistically similar to MAD.. but focused more on uncensored political satire than celebrity satire (tho most of my comics are apolitical).

https://flip-city-magazine.myshopify.com/collections/flip-city-subscriptions/subscription

contact- nat.rain@gmail.com

 

This is a cool hardcover collection of James Dean photos, taken by photographer Dennis Stock, shortly before Dean became famous. And their collaboration has an interesting backstory. Dean and Stock met at a party in LA, and after conversing some, Dean invited Stock to an upcoming test screening of East of Eden. 

Stock liked the movie and Dean's performance, and instinctively realized Dean was going to be a star. So he asked if he could spend a couple days with Dean, photographing his life (and essentially origin story), before Dean broke big.

Stock ended up traveling with Dean back to his Indiana hometown, & around to some of Dean's spots in New York, and constructed a photo album of Dean's life just at the end of its anonymity. There's a good movie that documents the time Stock & Dean spent together getting the photo spread titled Life (not the Eddie Murphy joint, this Life was released 15 years later, but..)

Some of the individual photos are iconic now, and probably recognizable from posters you see in Hollywood Blvd tourist traps, etc. But there are also some great deep cuts in the book. Random photos of Dean walking thru his small home town, and working on his childhood farm. Even setting Dean aside, it's a cultural document of 1950s Middle/rural America.

 

(both images are within the book)

contact- nat.rain@gmail.com

 

Some new & old Nat Rrain releases of signs and roadside attractions:

Early 90s Lynnhaven Mall (parking lot) sign, when they were still rockin' a brown tile look.

The day when they mounted the Great American Outlet Mall sign in Virginia Beach, circa mid 8os.

contact- nat.rain@gmail.com